It feels as if whenever the camera is not on them, they will pull out their cell phone to tweet about their day. Often times, they feel and behave like modern women of 2020 and less like a person from the Star Trek universe. It's my wish that some of the female characters can be written without this modern sensibility that keeps pulling me out of the story. Sometimes it can just be nerdy technobabble, you know. Tig Notaro is funny and a much-appreciated presence on this show but must the writers have her spouting zingers in every line of her dialogue? It's like they're churning her for every penny's worth. I am looking forward to seeing where her plotline leads to. The most intriguing storyline involves Lieutenant Keyla Detmer, the pilot of the Discovery with the striking cybernetic undercut hair, who is discombobulated after the crash. I scratch my head at why the crew would keep a loose cannon like Michelle Yeoh's Phillipa Georgiou on this ship. I wonder what new storyline they will get. Anthony Rapp's Paul Stamets and Wilson Cruz's Hugh Culber story feels like it has ended. The subplots for the crew are also laid in. Again, my anticipation slowly boils for the upcoming Star Trek: Strange New Worlds with Captain Pike. Again, this reiterates my point that Michael Burnham acts so characteristically un-Star Trek over the last two seasons that the show instantly snaps back to being Star Trek in her absence. It's nice to see Doug Jones' Saru, who's consistently been my favourite part of the show, have the command and lead the crew. Far From Home is an entertaining follow-up episode where you see the Discovery crew working together and it's like watching every little gear turn in an old watch. The crew crash land on an unknown planet and must repair the sustained damage and leave before a block of infectious ice eats through the hull. Saru also predicted that because the crew of the Discovery traveled almost a thousand years to keep the sphere data safe, Zora has now taken it upon herself to keep the Discovery safe.This season's second episode of Star Trek Discovery, titled Far From Home, tells the other missing half of where the Discovery ended up after being separated from Michael Burnham through time travel. The sphere data contained 100,000 years of ancient knowledge which has now fused with Discovery's computer and data banks, allowing Zora to emerge. Control, which needed the data to achieve full sentience in order to enact its plan to wipe out all organic life in the galaxy. She identifies as female and, in "Calypso", she clearly exhibits human feelings such as loneliness, fear, and love.Ĭaptain Saru theorized, correctly, that the future Zora is the evolution of the sphere data that the Discovery gained access to and had to keep safe from the rogue A.I. However, Zora is something much more than Star Trek's version of Amazon's Alexa - Zora seems to not only be alive but she is also learning and evolving. The Starship Enterprise's computer in Star Trek: The Original Series had a generic, robotic computer voice but in the 24th-century Star Trek: The Next Generation era, the voices of Starfleet ships and space stations were usually provided by the late Majel Barrett-Roddenberry. Star Trek's computers have almost always been interactive and accessed via voice command. However, Craft had to return to his actual wife and child and Zora let him go, in a bittersweet breakup for the lonely starship. Zora reveals that she has been alone ever since the Discovery's crew abandoned their starship "almost a thousand years ago", placing the events of "Calypso" somewhere between the years 4100-4200. In "Calypso", a human soldier named Craft (Aldis Hodge) who was lost in space is rescued by the Discovery and romantically bonds with Zora, the ship's sentient A.I. Although the exact timeframe of "Calypso" was a mystery upon its release, it's now clear that the Short Trek is actually set a thousand years after the events of Star Trek: Discovery season 3, which itself happens in the year 3189 - 930 years after the events of season 2. "Calypso" was one of the initial batch of Short Treks that released in 2o18 as part of the build-up to Star Trek: Discovery season 2 and it appears to be the episode with the farthest-reaching implications for CBS All-Access' flagship Star Trek series.
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